Personalized Learning & the Maker Education Movement

Richard Culatta, Director of the Office of Educational Technology for the US Department of Education, believes there is a growing digital divide in education. The digital divide that concerns Culatta is between “those who know how to use technology to reimagine learning and those who simply use technology to digitize traditional learning practices” (Culatta 2013). In his TED talk, Reimagining Learning, Culatta puts forward personalized learning as a framework for harnessing the potential digital technology can bring to education.

In CEP 811 we have been exploring the growing maker movement and it’s potential to provide students with opportunities to take ownership of their own learning, develop critical thinking, and grow in their confidence as learners. What possibilities are there in personalized learning and maker education together? Are these two approaches compatible with one another or do the differences render both approaches impractical to combine?

To answer these questions consider The Role of Affective and Motivational Factors in Designing Personalized Learning Environments by ChanMin Kim and Personal Competencies in Personalized Learning by Sam Redding. Kim’s research presents guidelines for the design of “virtual change agents” which address affective and motivational factors in students in order to promote personalized learning and provide meaningful feedback in online remedial mathematics courses” (2012). In Personal Competencies in Personalized Learning, Redding proposes a Personal Competency Framework to support student growth in a personal learning environment. Redding lists personal competencies as cognitive competency, metacognitive competency, motivational competency, and social/emotional competency (2014). Both papers dovetail with Culatta’s vision of personalized learning because they compliment the real time feedback, adjusted pacing, and agency his personalized learning is built upon. How specifically does Kim and Redding’s work dovetail with Culatta’s description of personalized learning?

Kim and Redding address similar dimensions of personalized education by focusing on the personal and emotional aspects of student learning. Kim’s work specifically seeks to address negative emotional responses that are a result of students experiencing academic difficulty. Kim notes that research demonstrates that negative emotions related to academic performance can have a deep impact on future outcomes for students. Thus the central theme in Kim’s work is to provide guidelines for “individual and personalized support for positive emotional experiences in designing instruction” within the context of personalized learning (2012). Redding observes that, “psychological characteristics of individual students and their immediate psychological environments most directly influence educational outcomes” which parallels Kim’s addressing issues related to the impact that negative academic emotions can have on student growth (2014). So how does Culatta’s personalized learning dovetail neatly with Kim’s addressing affective and motivational factors and Redding’s personal competencies?

Culatta touts the potential of real time feedback. Real time feedback can empower students to more closely monitor their own learning. By monitoring their own learning, students have a greater chance of experiencing positive academic emotions and by monitoring their own learning every step of the way bolster bolster metacognition. Personalized learning adjusts to a student’s pace and level of progress and as a consequence can result in positive academic emotions and experiencing increased motivational, and social/emotional competency. Finally, Cullata describes personalized learning as providing students with agency because in personalized learning, students have choice in what tasks they will perform to gain mastery of content and skills. All of these factors lead to student empowerment, which in turn fosters motivation for further learning.

Is personalized learning and maker education compatible? It can be argued that maker education is a form of personalized learning. Maker education results in many of the same outcomes identified by Kim and Redding: positive academic emotions, metacognitive competency, and motivational/emotional competency. Additionally, maker education is embedded with the same dynamics as Culatta’s personalized learning: real time feedback, adjusted pace, and agency.

 

References

Kim, C. (2012). The Role of Affective and Motivational Factors in Designing Personalized Learning Environments. Educational Technology Research and Development, 60(4), 563–584.

Redding, S. (2014). Personal Competencies in Personalized Learning. Center on Innovations in Learning, Temple University. Retrieved from http://eric.ed.gov.proxy2.cl.msu.edu/?id=ED558063

“Reimagining Learning: Richard Culatta at TEDxBeaconStreet” Video at TEDxTalks. (n.d.). Retrieved July 24, 2016, from http://tedxtalks.ted.com/video.mason/Reimagining-Learning-Richard-Cu?

Playing Piano with Cardinal Directions

As a social studies educator, how to repurpose materials to interact with digital media was a very vexing—or I should I say—”wicked” problem. As I banged my head against the wall looking over a sundry of items my wife asked, “could you use a map for this project?” Leave it to an art teacher to think outside of the box so easily. So I went back down to our basement and pulled an old map of Montana to repurpose into some form of digitally interactive paper map. Next I needed to figure out how exactly to connect my map of Montana to my Makey Makey. I thought it was going to be a breeze but this project has taught me a bit of humility. In the end I believe my prototype demonstrates the direction I aim to take.

The following materials comprise the prototype described below:

  • Map of Montana (from my basement)
  • Makey Makey
  • Tin foil (kitchen drawer)
  • Scotch tape (Desk drawer)
  • Computer with internet connection
  • MaKey MaKey Piano Remix from Scratch website

DSC_0213

How to Build Playing Piano with Cardinal Directions

  1. With a pair of scissors, cut four finger size holes in your map. Position the holes so that they represent all four cardinal directions: North, South, East, West.
  2. Cut four squares of tinfoil a little larger than the holes cut into the map.
  3. Turn the map upside down and tape one piece of tinfoil over each hole leaving one end of the tinfoil square un-taped.
  4. Connect four alligator wires to the arrow keys on the Makey Makey. Keep in mind that the four arrow keys must correspond to the cardinal directions marked in the map. For example, the arrow pointing up is North, the arrow pointing down is South.
  5. Connect the other ends of the alligator wires to the open ends of the tinfoil squares being mindful to connect then to the corresponding positions on the map.
  6. Connect an alligator cord to one of the “Earth” connections in the Makey Makey.
  7. Pull up the Makey Makey Piano Remix on the Scratch website.
  8. When touched, each tinfoil button on the map should play the corresponding key on the Scratch piano program.

How can this Prototype be used in my Classroom Context?

This prototype is certainly underdeveloped so far as secondary social studies is concerned. There is still value in giving students some level of experience with printed maps to analyze the world and a fully developed interactive printed map, which interfaces with digital media might be the right mix of the NEW (Novel, Effective, Whole) approach to technology integration Mishra spoke of in his lecture.

A more sophisticated version of this prototype might ask students to identify geographic features that contributed or hindered the development of various societies throughout history as written about by Jared Diamond in Guns, Germs, & Steel. Another possibility is an interactive map, which would help students explore the geography of the Atlantic Slave Trade. Of course this hinges on a more advanced execution on the digital end as well which will require a considerable amount of play and exploration with designing Scratch scripts.

Multimodal Elements with Purpose

I have included one photograph of the map of Montana as a visual of the map before being repurposed as an interactive map. The static nature of the photo of the map before being repurposed contrasts with the demonstration video showing the map acquiring a new dynamic and interactive dimension.

References

Mishra, Punya. Teaching Creatively: Teachers as Designers of Technology, Content and Pedagogy. (n.d.). Retrieved July 14, 2016, from https://vimeo.com/39539571

To Make is Human, to Remix is Devine

Before enrolling in CEP 811, Adapting Innovative Technology to Education, I had not heard of the Maker movement and while I was familiar with the concept of remixing I had not considered that remixing is simply another form of creativity, invention, and innovation. In fact, without remixing ideas from one generation to the next, there is no human progress. This is the essence of what Sir Isaac Newton meant when he wrote that he was “standing on the shoulders of giants” except that he was not the first to allude to such an idea. As Kirby Ferguson adroitly points out in Everything is a Remix, it was 12th century French philosopher Bernard of Chartres who first formulated this idea. In borrowing this statement from Bernard, Newton was acknowledging his own dependence on the ideas of those who came before him to formulate his theory of gravity. It could be argued that Newton’s theory of gravity was, to some extent, a remix of ideas that were formulated before him.

Which brings us to the Maker movement—something that was not remotely on my radar. The Maker movement is a community of people who make things for the sake of making. By doing so they immerse themselves in problem solving, trouble shooting, and overcoming all variety of challenges to make whatever it is they are making. That making things is considered a new movement says a lot about our own collective self-concept as a nation and this is unfortunate. In his TED talk, We are Makers, Dale Dougherty observes that, “at one time it was common place to think of yourself as a maker.” The idea of human as maker has profound implications for education. As observed above, problem solving, troubleshooting, creative thinking, and overcoming challenges are implicit in the act of making. Outside of select activities, the high school robotics team for example, there is very little if any making going on in today’s classroom. The question for those of us who are educators is this: how can I infuse making into my own classroom, no matter the subject area. As a social Studies teacher this is a particularly unique challenge but one I intend to take up.

The whole idea of human as maker immediately intrigued me as a social studies educator. I immediately appreciated the extent to which this idea could be applied, beginning with the very first stone tools made by our very distant ancestors eons ago. The act of making then remixing started with the first tools made by humans and has been ongoing ever since. The thought of making and remixing as a chief characteristic of being human inspired my one minute video, To Make is Human, to Remix is Divine. I hope you enjoy the video and begin to see the maker and remixer inside of yourself.

 

References

Dougherty, D. (n.d.). We are makers. Retrieved from http://www.ted.com/talks/dale_dougherty_we_are_makers
Everything is a Remix Part 1 on Vimeo. (n.d.). Retrieved July 12, 2016, from https://vimeo.com/14912890
Ferguson, K. Everything is a Remix Part 1 on Vimeo. (n.d.). Retrieved July 12, 2016, from https://vimeo.com/14912890

 

Video References

187_1003703_africa_dxm.png (2048×2048). (n.d.). Retrieved July 11, 2016, from http://www.nasa.gov/sites/default/files/thumbnails/image/187_1003703_africa_dxm.png
Biface_silex.png (1407×1547). (n.d.). Retrieved July 10, 2016, from https://upload.wikimedia.org/wikipedia/commons/7/76/Biface_silex.png
company, american mutoscope and biograph, bitzer, g w, & congress), paper print collection (library of. (n.d.). Welding the big ring / [film, video]. Retrieved July 11, 2016, from https://www.loc.gov/item/96522219/
Duplessis, J. (1785). Portrait of Benjamin Franklin [Oil on canvas]. Retrieved from https://commons.wikimedia.org/wiki/File:BenFranklinDuplessis.jpg
Free Image on Pixabay – Bison, Cave Of Altamira. (n.d.). Retrieved July 10, 2016, from https://pixabay.com/en/bison-cave-of-altamira-1171794/
Lincoln Robotic Welder – YouTube. (n.d.). Retrieved July 11, 2016, from https://www.youtube.com/watch?v=J2XG7kfs09I
Prehistoric_Sites_and_Decorated_Caves_of_the_Vézère_Valley-108435.jpg (2048×1536). (n.d.). Retrieved July 10, 2016, from https://upload.wikimedia.org/wikipedia/commons/f/f8/Prehistoric_Sites_and_Decorated_Caves_of_the_V%C3%A9z%C3%A8re_Valley-108435.jpg
STS-124 Space Shuttle Launch. (2010). Retrieved from http://archive.org/details/NASAKennedy-MUn0mP7LwcI
Unknown. (1882). Lewis Howard Latimer. Retrieved from https://commons.wikimedia.org/wiki/File:Lewis_latimer.jpg
Unknown. (1898).
Portrait of Marie Skłodowska-Curie (November 7, 1867 – July 4, 1934),Retrieved from https://commons.wikimedia.org/wiki/File:Mariecurie.jpg
Wright Brothers First Flight. (n.d.). Retrieved from http://archive.org/details/WrightBrothersFirstFlight

CEP 810: The Gateway into the MSU Educational Technology Program

Reflecting on my learning experience in CEP 810 has led me to the realization that I am moving on with more questions than answers—thank goodness for that. From my viewpoint, CEP 810—and I am sure CEP 811 as well—are the gateways into the educational technology (Ed tech) program at Michigan State University. I see now that one of the major purposes of CEP 810 is to help students form framing questions they can take with them throughout their Ed Tech experience. That is not to say I am moving on from CEP 810 without new concrete skills and schema that will both sharpen and broaden my professional practice.

One of the significant ways I see my professional practice changing is my new found understanding of the differences and relationships between experts and novices. While I have a command of the social studies disciplines I teach, my expertise is in the pedagogy in teaching secondary social studies and this sets me apart from an expert, say, in history who may possess expertise in the historical method but lacks the necessary expertise in pedagogy to teach such a method to others. Because of what I have learned in CEP 810 I am now acutely aware that I am not necessarily taking my students to a point of expertise in either social studies or as learners. Instead, I am putting them on a path that will lead them to become experts in their own learning as well as whatever discipline, field, or vocation they choose to pursue.

As alluded to above, the questions I now have regarding not only Ed Tech, but also, good pedagogy greatly outweighs the new schemas and skills I have acquired and for that I am thankful. One of the questions that still remains for me is how can I harness the energy of participatory culture and affinity spaces within my specific field of teaching—social studies. As I observed in my final blog entry addressing the Network Learning Project “exactly what that [the energy of participatory culture and affinity spaces] looks like is not clear to me yet.”

My experience with learning Punya Mishra’s framework of Technology, Pedagogy, Content, and Knowledge (TPACK) has left with me lingering puzzles and problems to solve. TPACK was a bit of epiphany for me. The whole idea of repurposing technology for use in the classroom—both as an aide to the teacher and learning tool for students—has had a profound effect on how I see the evolving role of technology in education. What TPACK looks like specifically in the context of a secondary World History class is an issue I am excited to explore.

CEP 810 has left me with a collection of inquiry pathways to explore and the tools to be successful in my exploration of teaching for understanding with technology.